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	<title>Comments on: Why I was wrong about ProRes</title>
	<atom:link href="http://www.philiphodgetts.com/2009/07/why-i-was-wrong-about-prores/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.philiphodgetts.com/2009/07/why-i-was-wrong-about-prores/</link>
	<description>Philip Hodgetts</description>
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		<title>By: Philip</title>
		<link>http://www.philiphodgetts.com/2009/07/why-i-was-wrong-about-prores/#comment-57201</link>
		<dc:creator>Philip</dc:creator>
		<pubDate>Thu, 19 Nov 2009 01:04:47 +0000</pubDate>
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		<description>Of course HDCAM isn&#039;t dead, but a Ki Pro will do the same job in native ProRes 422 with full raster (HDCAM is thin raster); full 4:2:2 (which HDCAM is not) and with less compression than HDCAM. Oh, it&#039;s 10 bit as well.

And less than 1/10th the price.

HDCAM SR and D5 will, of course, continue to be valuable for program delivery and interchange (and for HDCAM SR, some acquisition) but for the type of purpose you used as an example - there are better alternatives unless you have an HDCAM deck &quot;lying around&quot; :)

philip</description>
		<content:encoded><![CDATA[<p>Of course HDCAM isn&#8217;t dead, but a Ki Pro will do the same job in native ProRes 422 with full raster (HDCAM is thin raster); full 4:2:2 (which HDCAM is not) and with less compression than HDCAM. Oh, it&#8217;s 10 bit as well.</p>
<p>And less than 1/10th the price.</p>
<p>HDCAM SR and D5 will, of course, continue to be valuable for program delivery and interchange (and for HDCAM SR, some acquisition) but for the type of purpose you used as an example &#8211; there are better alternatives unless you have an HDCAM deck &#8220;lying around&#8221; <img src='http://www.philiphodgetts.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p>philip</p>
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		<title>By: Neal</title>
		<link>http://www.philiphodgetts.com/2009/07/why-i-was-wrong-about-prores/#comment-57199</link>
		<dc:creator>Neal</dc:creator>
		<pubDate>Wed, 18 Nov 2009 23:49:38 +0000</pubDate>
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		<description>HDCAM Tape decks aren&#039;t dead... we just went through all this and both parties decided to make a master HDCAM tape and reimport.</description>
		<content:encoded><![CDATA[<p>HDCAM Tape decks aren&#8217;t dead&#8230; we just went through all this and both parties decided to make a master HDCAM tape and reimport.</p>
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	<item>
		<title>By: Philip</title>
		<link>http://www.philiphodgetts.com/2009/07/why-i-was-wrong-about-prores/#comment-51621</link>
		<dc:creator>Philip</dc:creator>
		<pubDate>Mon, 07 Sep 2009 01:43:09 +0000</pubDate>
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		<description>It sure is. 

Philip</description>
		<content:encoded><![CDATA[<p>It sure is. </p>
<p>Philip</p>
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	<item>
		<title>By: ron</title>
		<link>http://www.philiphodgetts.com/2009/07/why-i-was-wrong-about-prores/#comment-51616</link>
		<dc:creator>ron</dc:creator>
		<pubDate>Sun, 06 Sep 2009 20:25:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.philiphodgetts.com/?p=472#comment-51616</guid>
		<description>I may be wrong but isn&#039;t Nuke running on Mac now?</description>
		<content:encoded><![CDATA[<p>I may be wrong but isn&#8217;t Nuke running on Mac now?</p>
]]></content:encoded>
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	<item>
		<title>By: Philip</title>
		<link>http://www.philiphodgetts.com/2009/07/why-i-was-wrong-about-prores/#comment-49113</link>
		<dc:creator>Philip</dc:creator>
		<pubDate>Wed, 05 Aug 2009 00:45:37 +0000</pubDate>
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		<description>No argument from me Brian, but Apple do have a Windows Reader for ProRes, just no way to write it on Windows, sadly. And probably not coming on the balance of probability.

Philip</description>
		<content:encoded><![CDATA[<p>No argument from me Brian, but Apple do have a Windows Reader for ProRes, just no way to write it on Windows, sadly. And probably not coming on the balance of probability.</p>
<p>Philip</p>
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		<title>By: Brian Williams</title>
		<link>http://www.philiphodgetts.com/2009/07/why-i-was-wrong-about-prores/#comment-49106</link>
		<dc:creator>Brian Williams</dc:creator>
		<pubDate>Tue, 04 Aug 2009 23:34:12 +0000</pubDate>
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		<description>Avid is more likely to create a DNxHD 4444 codec than Apple is to take ProRes cross platform. And I don&#039;t think you WERE wrong.
Brian</description>
		<content:encoded><![CDATA[<p>Avid is more likely to create a DNxHD 4444 codec than Apple is to take ProRes cross platform. And I don&#8217;t think you WERE wrong.<br />
Brian</p>
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		<title>By: James Clarke</title>
		<link>http://www.philiphodgetts.com/2009/07/why-i-was-wrong-about-prores/#comment-48789</link>
		<dc:creator>James Clarke</dc:creator>
		<pubDate>Thu, 30 Jul 2009 20:07:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.philiphodgetts.com/?p=472#comment-48789</guid>
		<description>Amen :-)</description>
		<content:encoded><![CDATA[<p>Amen <img src='http://www.philiphodgetts.com/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> </p>
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