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	<title>Comments on: How does keying technology change production? [Updated]</title>
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	<link>http://www.philiphodgetts.com/2010/01/how-does-keying-technology-change-production/</link>
	<description>Philip Hodgetts</description>
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		<title>By: Philip</title>
		<link>http://www.philiphodgetts.com/2010/01/how-does-keying-technology-change-production/#comment-63957</link>
		<dc:creator>Philip</dc:creator>
		<pubDate>Wed, 20 Jan 2010 17:38:48 +0000</pubDate>
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		<description>Great links, thank Rob.

Philip</description>
		<content:encoded><![CDATA[<p>Great links, thank Rob.</p>
<p>Philip</p>
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		<title>By: RobShaver</title>
		<link>http://www.philiphodgetts.com/2010/01/how-does-keying-technology-change-production/#comment-63946</link>
		<dc:creator>RobShaver</dc:creator>
		<pubDate>Wed, 20 Jan 2010 16:04:32 +0000</pubDate>
		<guid isPermaLink="false">http://www.philiphodgetts.com/?p=605#comment-63946</guid>
		<description>Here&#039;s a bit of followup on virtual sets used on Sanctuary:

Here are some photos from the set showing the green screen plate and then the finished comp.

http://www.itv.com/drama/cult/sanctuary/behindthescenes/default.html?ModuleId=209253&amp;ImageIndex=0&amp;XPos=0&amp;YPos=579&amp;ThumbScrollPos=0

Articles that talk a bit about the virtual sets.

http://www.msnbc.msn.com/id/26948558/

&quot;‘About 70 perecent of our sets are virtual’
“There’s no way we can build a massive underground six-story laboratory filled with monsters,” Wood explains. “Just the line ‘filled with monsters’ would turn most studio executives into little blobs of Jell-O. Any time you create that kind of stuff, you can’t do it practically.”&quot;

http://blog.newsok.com/nerdage/2009/10/20/amanda-tapping-syfy-series-sanctuary-rose-from-ashes-of-web-show/

&quot;The show is shot primarily on green screen, using virtual sets.
“Building sets the size and the scope of the Sanctuary is nearly impossible,” said Tapping, who is also an executive producer of the show. “It gave us so much more freedom in terms of where we shot and how we shot, and places that we could go.”&quot;</description>
		<content:encoded><![CDATA[<p>Here&#8217;s a bit of followup on virtual sets used on Sanctuary:</p>
<p>Here are some photos from the set showing the green screen plate and then the finished comp.</p>
<p><a href="http://www.itv.com/drama/cult/sanctuary/behindthescenes/default.html?ModuleId=209253&#038;ImageIndex=0&#038;XPos=0&#038;YPos=579&#038;ThumbScrollPos=0" rel="nofollow">http://www.itv.com/drama/cult/sanctuary/behindthescenes/default.html?ModuleId=209253&#038;ImageIndex=0&#038;XPos=0&#038;YPos=579&#038;ThumbScrollPos=0</a></p>
<p>Articles that talk a bit about the virtual sets.</p>
<p><a href="http://www.msnbc.msn.com/id/26948558/" rel="nofollow">http://www.msnbc.msn.com/id/26948558/</a></p>
<p>&#8220;‘About 70 perecent of our sets are virtual’<br />
“There’s no way we can build a massive underground six-story laboratory filled with monsters,” Wood explains. “Just the line ‘filled with monsters’ would turn most studio executives into little blobs of Jell-O. Any time you create that kind of stuff, you can’t do it practically.”&#8221;</p>
<p><a href="http://blog.newsok.com/nerdage/2009/10/20/amanda-tapping-syfy-series-sanctuary-rose-from-ashes-of-web-show/" rel="nofollow">http://blog.newsok.com/nerdage/2009/10/20/amanda-tapping-syfy-series-sanctuary-rose-from-ashes-of-web-show/</a></p>
<p>&#8220;The show is shot primarily on green screen, using virtual sets.<br />
“Building sets the size and the scope of the Sanctuary is nearly impossible,” said Tapping, who is also an executive producer of the show. “It gave us so much more freedom in terms of where we shot and how we shot, and places that we could go.”&#8221;</p>
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		<title>By: Philip</title>
		<link>http://www.philiphodgetts.com/2010/01/how-does-keying-technology-change-production/#comment-62932</link>
		<dc:creator>Philip</dc:creator>
		<pubDate>Mon, 11 Jan 2010 21:58:41 +0000</pubDate>
		<guid isPermaLink="false">http://www.philiphodgetts.com/?p=605#comment-62932</guid>
		<description>I wasn&#039;t aware of that Rob, I&#039;ll go check it out. Thanks.

Phililp</description>
		<content:encoded><![CDATA[<p>I wasn&#8217;t aware of that Rob, I&#8217;ll go check it out. Thanks.</p>
<p>Phililp</p>
]]></content:encoded>
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		<title>By: RobShaver</title>
		<link>http://www.philiphodgetts.com/2010/01/how-does-keying-technology-change-production/#comment-62930</link>
		<dc:creator>RobShaver</dc:creator>
		<pubDate>Mon, 11 Jan 2010 21:46:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.philiphodgetts.com/?p=605#comment-62930</guid>
		<description>Isn&#039;t that exactly what &quot;Sanctuary&quot; did? I haven&#039;t followed it closely but I think they still are heavily green screen shot on Red cameras.</description>
		<content:encoded><![CDATA[<p>Isn&#8217;t that exactly what &#8220;Sanctuary&#8221; did? I haven&#8217;t followed it closely but I think they still are heavily green screen shot on Red cameras.</p>
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