Arrested Development on Netflix – how does it change the business model for TV production? http://t.co/t3cQpMDD
A good look at the business behind Netflix’s original productions:
I think it’s going to be 13 episodes, not 10. There’s too much story. Some characters will have two-parters. Everybody sort of participates, sometimes in a bigger way and sometimes in a tiny little thread that goes through everybody else’s stories.
This is the sort of statement that would make a network executive’s head explode, due to the way traditional TV is budgeted and structured on a per-episode basis. But we’re on Netflix’s turf now. Unexplored territory.
But we’re talking budgets comparable with cable and network shows:
It’s an attitude you’ll hear elsewhere in the industry — which may be why Netflix is doubling down on its subscription model. I couldn’t track down the budget for Arrested Development‘s new season, butHouse of Cards‘s price tag was reported by some as $100 million, and Hemlock Grove, it’s said, is budgeted at $40 million for 13 episodes — otherwise known as about $3 million an episode. That’s real TV money — in fact, it’s the same budget as Breaking Bad.
And finally, the question everyone has on their mind:
The TV singularity approaching us consumers of media is at times a scary one: We’re used to shows that cost millions an episode, but we’re also now used to consuming whatever we want, wherever and whenever we want. Some people think that going forward, these two mindsets won’t be able to co-exist. But Netflix seems to disagree, and the Bluths may be the ones to prove it.