On the Yahoo-based Final Cut Pro list MarkB posted this just a few minutes ago:
Gave my kids (14 & 16) a green screen kit from Cowboy Studio for Xmas. The older one does a sports video blog, the younger one shoots and edits it (Canon HV20 camera, Final Cut Express, 4-year old iMac).
They used their new chroma key trickery today. I helped them set up the green screen, gave the younger one a 5-minute lesson in how to use my DV Garage plugin, then stayed out of it except for a tip or two. This is what a 14-year old kid can do first time:
Watch the video or at least the first couple of minutes. (I’m not that into football/soccer so it doesn’t mean much to me) but look at the work.Not only is the 16 year old good talent, but the way it’s put together is damned nice too. (In this style of presentation I’ll overlook my long-standing distrust of jump-cuts and live with fact that it’s become an acceptable style: heck in this example I think it works fine.)
Mark mentions that the keyer they used was DV Matte Pro, which I’ve also had a lot of success with: using it on A Musical Journey with Richard Sherman, on the 40th and 45th Anniversary Edition Mary Poppins DVD. After testing all that were available that’s what gave us the best results (although it does have a different approach to fine tuning edges than most keyers, which threw me at first).
I’ve long argued that we have to constantly be improving our skills, because those coming up behind us are staring with a whole lot better craft/technical skills that we did. In fact, we have to keep learning to keep up and make sure our experience and people skills are a whole lot better.
But it does make you wonder what these guys will do with their Christmas “green screen kit” if ever they discover 3D. (I suspect that would be the 14 year old’s realm.) Does easy, accessible keying technology really change production forever?