The present and future of post production business and technology | Philip Hodgetts

CAT | The Technology of Production

Jan/16

11

Producing The semiSerious Foodies

The production kit for The semiSerious Foodies – Greg’s and my new project – fits on one small bag I can comfortably carry on my shoulder. Each episode of the video part of The semiSerious Foodies starts in a restaurant, and continues to local markets, on into whatever kitchen we have available when we travel.

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I am still slightly horrified whenever I hear or read of someone who “doesn’t use keywords, I just use Favorites and rename them” I am infuriated. What you want is not a Favorite. What you want is a Keyword.

A Keyword that automatically organizes itself into collections. (Unlike Favorites).

Just under a year ago I wrote Why I love Keyword Ranges. If you’re using Favorites that way, read it.

I first wrote about derived metadata back at the end of January 2009. Derived metadata uses computer analysis to derive metadata from the video source. There are now technologies for speech-to-text, meaning extraction, facial detection, facial recognition, emotion detection, image recognition, and more. One company has been accumulating these somewhat diverse technologies: Apple.

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Jan/16

6

Celtx grows up!

One of my favorite writing tools – Celtx – has revealed itself as a full production management resource.

Celtx has added a ton of new features to help not only screenwriters write scripts, but also help directors and creative teams work together on their projects using new story development and video planning tools.

Basic writing and storyboarding tools are included in the free version: $10 a month gets you it all.

If I wrote and produced narrative, I’d be all over Celtx.

If there was a theme to 2015 in production technology, it would be that this was the year of more. More pixels – 4K and beyond; more dynamic range with HDR video; more field of view as VR establishes; and more programming sources as Netflix et. al. become fully fledged ‘networks’.

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Episode 69 of The Terence and Philip Show has us discussing how we adapt to change, as change is inevitable.

The small production kit I used on my recent family history video shoot was featured on Larry Jordan’s Digital Production BuZZ on June 19.

A wide ranging look at all things NAB 2015, from Terence and Philip’s very subjective perspectives. Avid, Adobe, Blackmagic Design and some companies that start with C-Z as well!

Sync-N-Link is a specialized app used on productions that shoot picture and sound on separate devices, with matching time-of-day timecode. What we discovered in talking about it a few night ago, is how Sync-N-Link has been at the forefront of evolving workflows over the roughly six years the two versions have been in release.

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For anyone who hasn’t been hiding under a rock, you might have noticed that Focus released this week, and edited on Final Cut Pro X. For Greg and I it is the final chapter in a story that started with an email and subsequent phone call in December 2012. We worked closely with the editorial team to make our software tools meet their needs. What I didn’t realize until recently is that my little book Conquering the Metadata Foundations of Final Cut Pro X had a role in this story too.

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