The present and future of post production business and technology | Philip Hodgetts

If you’re not going to be at IBC then move on, but if you’re going you’ll probably want to be at the FCP X World Event, particularly on Saturday at 12:15 and Sunday at 2:15 when Lumberjack System will be previewing the latest addition to the Lumberjack family. (more…)

Aug/17

23

First AI Music Album is a collaborative effort

Futurism have an article about a new album I AM AI (a nice palindrome) from Taryn Southern and an “artist” credited as Amper. Amper, you will not be surprised to discover at this point:

Amper is an artificially intelligent music composer, producer, and performer. The AI was developed by a team of professional musicians and technology experts, and it’s the the very first AI to compose and produced an entire music album.

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By AI I mean Machine Learning! Some of the discussion around Larry’s post and my response has been about data sets. Norm Hollyn noted in the comments that there were non-training options “under NDA”.  Here’s a good discussion on the types of training data, or lack of need, from TechCrunch.

As we don’t have children our post dinner discussions range across all sorts of topics: from design details for a current project, to discussions about industry issues, such as collaboration. My thinking is evolving somewhat, because of the discussion with Greg, which built on a conversation he had with filmmaker Bradley Olsen.

One conclusion is that, if/when Apple add collaboration to Final Cut Pro X, there will be serious hate! Again!

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Larry Jordan got on his (self described) soap box this morning with a thoughtful post about the future of editing in an AI infested world. I think we should all be aware of what’s happening, and I’ve certainly been trying to do my part there, as recent posts attest, but I’m not sure I’m quite as concerned about editing jobs as Larry is. Assistants perhaps.

Larry shared his post with me, asking for feedback, and having written a fairly comprehensive response, I decided to share it here as well. While I mostly address the areas where AI/Machine Learning might be used, and why pervasive automated editing is probably way further in the future than Larry’s concern would indicate, none of that negates Larry’s excellent advice on managing your career.

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The report isn’t clear on exactly how Watson’s “AI” is being used but the article says that they are “now curating the biggest sights and sounds from matches to create “Cognitive Highlights,” which will be seen on Wimbledon’s digital channels.”

Apparently using Watson cognitive services to recognize a significant moment, and pull it together with cheers and social media comments to make a 2 minute video.

The AI platform will literally take key points from the tennis matches (like a player serving an ace at 100 mph), fans’ cheers and social media content to help create up to two-minute videos. The two-week tourney at the All England Lawn Tennis and Croquet Club, complete with a Google Doodle to celebrate Wimbledon’s 140th anniversary, began Monday.

 

Adobe is heading into AI/Machine Learning full steam ahead. A private room NAB demo showed picture search and dialog search powered by IBM Watson, and now this collaboration with Stanford organizes takes, matches them to lines of dialog, recognizes voices, faces and emotions, camera framing, and more and then builds dialog-focused stories in any style desired.

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When Apple released FCP X six years ago, there was an incredible backlash, which Apple deserved for the sudden, harsh removal of FCP 7 from the market. But I believe there was another reason behind the anger beyond the sudden cut off: there was no more hope that Apple would supplant Avid in the editing world.

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Jun/17

15

AI and Creativity

What is creativity? Nick Stockton examined the question in an article at Wired about the use of an Artificial Intelligence (really Machine Learning) based collaborator in creativity.  Beyond discussing the nature of creativity from a couple of perspectives it looks at the role of machines as collaborators.

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My first exposure to a multi-camera live broadcast event was in an earlier career when the local TV station set up for a broadcast in the theater I worked for. There were two trucks in the alley way. Cables running everywhere, and two days to set up. Running it all was a team of 12 people.

Yesterday, we did a three camera live broadcast and I carried the broadcast gear in my shoulder bag and was set up in an hour.

That’s a pretty serious change!

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