Category Archives: Apple

ProRes 422 Explained

One of the currently popular memes is the “wisdom of the crowds” and if by crowd we mean a lot of people then there’s a lot of wisdom at CreativeCOW.net. Trouble is, it’s spread across a whole bunch of their forums so it takes a smart writer to take that wisdom and filter it down into something much more useful.

Well, the Cow’s Tim Wilson has done just that in two excellent articles:

Apple’s ProRes 4:2:2 Codec, Part 1 and
Apple’s ProRes 4:2;2 Codec, with a splash of Color, Part 2.

Highly recommended and well worth the read.

Don’t panic! Apple adopts Intel processors

The confusion and furor surrounding Apple CEO Steve Jobs’ announcement at the WordWide Developers Conference that future Mac, after Jun 2006, will use Intel processors inside is totally unfounded. Nothing changes now, very little changes in the next year and longer term the future for the Mac got a little brighter. Although the decision caught me by surprise, as I thought about it, and listened to what was said in the keynote, I could see why it made sense.

If we look short term, the decision makes little sense. Right now a G5 (Power PC, aka PPC) PowerMac has very similar performance to the best workstations on the PC/Intel platform running Windows and the G5 will cost less than a similarly performing PC workstation. At the low end the Mac mini is competitively priced to a cheap Dell or other name brand. (Macs are not price competitive with off-brand PCs, the so called “white box”.) So, why put the developer community, and developers within Apple, through the pain of a processor shift?

For the future (“we have to do it for the children”) and because it’s really not that painful for most developers.

Right now a G5 PowerMac is very performance competitive with the best offerings from Intel. What Apple have been privy to, that rest of us haven’t, is the future of both Intel processors and PPC processors. Based on that future Apple decided they had no choice but to make the change. In the future, the performance-per-watt of power of a PPC chip will be “15 units of processing” according to Mr Jobs. The same watt of energy would give 70 units of performance on an Intel processor. Without knowing exactly how those figures were derived, and what it means for real-world processing power it seems like a significant difference. It was enough to push Apple to make the change.

Not that there’s anything wrong with the PPC architecture: IBM continue to develop and use it at the high end and PPC chips (triple core “G5” chips) will power the Microsoft XBox360. The sales of chips to Microsoft will well and truly outweigh the loss of business from Apple. It is, however, a crazy world: next year will see a Microsoft product powered by PPC and Macintoshes powered by Intel!

Steve Jobs demonstrated how easy it will be for developers to port applications to OS X Intel. In fact, he confirmed long-term rumors that Apple have kept OS X running on Intel processors with every development on OS X – Mr Jobs demonstrated and ran his keynote from an Intel Macintosh. For most applications a simple recompile in the Xcode developer environment will suffice – a matter of a few hours work at most. Moreover, even if the developer does not recompile, Apple have a compatibility layer, called Rosetta, that will run pure PPC code on an Intel Mac. Both platforms are to be supported “well into the future”.

During the keynote Mathematica was demonstrated (huge application, 12 lines of code from 20 million needed changing, 2 hours work) as were office applications. Commitments to port Adobe’s creative suite and Microsoft’s Mac Business Unit software were presented. Apple have been working on Intel-compatible versions of all their internal applications according to Mr Jobs. [Added] Luxology’s president has since noted that their 3D modelling tool modo took just 20 minutes to port, because it was already Xcode-based, and built on modern Mach-0 code.

Remember, these applications are for an Intel-powered OS X Macintosh. No applications are being developed for Windows. In fact, after the keynote Senior Vice President Phil Schiller addressed the issue of Windows. Although it would be theoretically possible to run Windows on an Intel Macintosh it will not be possible to run OS X on anything but Apple Macintosh.

Apple’s Professional Video and Audio applications might not be as trivial to port although most of the modern suite should have no problem. LiveType, Soundtrack Pro, DVD Studio Pro and Motion are all new applications built in the Cocoa development environment and will port easily. Final Cut Pro may be less trivial to port. It has a heritage as a Carbon application, although the code has been tweaked for OS X over recent releases. More than most applications, Final Cut Pro relies on the Altivec vector processing of the PPC chip for its performance. But even there, the improvement in processor speeds on the Intel line at the time Intel Macs will be released are likely to be able to compensate for the loss of vector processing. At worst there will be a short-term dip in performance. However with Intel Macintoshes rolling out from June 2006 it’s likely we’ll see an optimized version of Final Cut Pro ready by the time it’s needed.

[Added] Another consideration is the move to using the GPU over the CPU. While the move to Intel chips makes no specific change to that migration – Graphics card drivers for OS X still need to be written for the workstation-class cards – Final Cut Pro could migrate to OS X technologies like Core Video to compensate for the lack of Altivec optimizations for certain functions, like compositing. Perhaps then, finally we could have real-time composite modes!

Will the announcement kill Apple’s hardware sales in the next year? Some certainly think so but consider this: if you need the fastest Macintosh you can get, buy now. There will always be a faster computer out in a year whatever you buy now. If your business does not need the fastest Mac now (and many don’t) then do what you’d always do: wait until it makes sense. The G5 you buy now will still be viable way longer than its speed will be useful in a professional post-production environment. It’s likely there will be speed-bumps in the current G5 line over the next year, as IBM gets better performance out of its chips. We are waiting for a new generation of chips from Intel before there would be any speed improvement. If Apple magically converted their current G5 line to the best chips Intel has to offer now, there would be little speed improvement: this change is for the future, not the present.

So, I don’t think it will affect hardware sales significantly. As a laptop user I’m not likely to upgrade to a new G4 laptop, but then there will be little speed boosts available there in the next year anyway. But as a laptop user, I’m keen to get a faster PowerBook and using an Intel chip will make that possible.

Although I have to say I initially discounted the reports late last week because, based on current chip developments, there seemed little advantage in a difficult architecture change. With the full picture revealed in the Keynote as to the long term advantages and the minimal discomfort for developers, it seems like a reasonable move that will change very little except give us faster macs in the future.

How could we have any problem with that?

[Added] Good FAQ from Giles Turnbull at O’Reilly’s Developer Weblog

iTunes becomes a movie management tool

iTunes has been doing movies for some time now – trailers from the Apple Movie Trailer’s website have been passed through iTunes for full screen playback, leading many to believe that Apple were grooming iTunes for eventual movie distribution.

Well, iTunes 4.8 will do nothing to dispel the rumor mongers – in version 4.8 iTunes gains more movie management and playback features, including movie Playlists and full screen playback. Simply drag a movie or folders of movies (any .mov or .mp4 whatever the size) into the iTunes interface and they become Playlists.

Playback can be in the main interface (in the area occupied by album artwork otherwise); in a separate movie window (non-floating so it will go behind the iTunes main interface) or to full screen. Visual can be of individual movies or of playlists – audio always plays the playlist regardless of the setting controlling the visuals.

If one had to speculate (and one does, really in the face of Apple’s enticement) it certainly seems that Apple are evolving iTunes toward some movie management features. The primary driver of this development in version 4.8 is the inclusion of “behind the scenes/making of” videos with some albums. For example, the Dave Matthews Band “Stand Up” album in the iTunes Music Store features “an (sic) fascinating behind-the-scenes look at band’s (sic) creative process with the bonus video download.” The additional movie content gives Apple the excuse to charge an extra $2 for the album ($11.99 while most albums are $9.99).

There is a lot of “chatter in the channel” about delivery of movies to computers or a lounge room viewing device (derived from a computer but simplified). Robert Cringely, among others, seem to think the Mac Mini is well positioned for the role of lounge room device. Perhaps, others like Dave TV think a dedicated box or network will be the way to go. Ultimately it will be about two things: content and convenience.

Recreational Television and movie watching is a “lay back” experience – performed relaxed on a comfortable chair at the end of a busy day with little active involvement of the mind. Even home theater consumption of movies is not quite the same experience as a cinema (although close enough to it for many people.) It will take a major shift in thinking for the “TV” to become a “Media Center” outside of the College Dorm Room. We’re still many years from digital television broadcasting being the norm, let alone HD delivery to in-home screens big enough to actually display it at useful viewing distances. (If you want the HD experience right now on a computer screen Apple have some gorgeous examples in their H.264 HD Gallery. QuickTime 7, a big screen and a beefy system are pre-requisites but the quality is stunning.)

Apple do not have to move fast, nor be first, with the “Home Media Center” to ultimately be successful. Look at what happened with the iPod and iTunes in the first place. The iPod was neither the first “MP3 Player” nor some would argue “the best” but it had a superior overall experience, aided by a huge ‘coolness’ factor. So, even if Apple are planning an ‘iTunes Music Store for Movies” some time down the path, it’s not something I’d expect to be announced at MacWorld January 2006 or even 2007!

In the meantime, the new movie management features in iTunes are great. This is not a professional video asset management tool, we’ll have to look elsewhere for that (something I hope the Pro Apps group would be working on) but it is a tool for organizing and playing videos. I have collected show reels and other design pieces I look to for creative inspiration but until now there was no way of organizing them easily. Now I can import them all to iTunes, create play lists for “titles”, “3D”, “design”, “action” and so on for when I need inspiration. Movies can be in multiple play lists, just like music.

I can wait to see what Apple have planned in the future, in the meantime, I’m happy with a new tool in my toolbox.

Why aren’t there Workstation class graphics cards for Mac?

With the news today that Matrox had announced a dual-link PCI graphics card designed to power dual-link monitors like Apple’s 30″ Cinema Display I was once again prompted to ask why there are no workstation class cards for OS X. The Parhelia card is a good graphics card but not a workstation-class card but even so, the nearest equivalents for OS X do not have the complement of output options that the Parhelia card does. Pity there’s no Mac drivers for it.

But it still begs the wider question of why none of the high end graphics cards, like 3D Labs Wildcat Realizm aren’t available for Mac – with increasing demand from applications like Motion, and in the very near future CoreVideo and CoreImage on OS X 10.4 Tiger, Mac users need the power of these graphics cards to get the most out of the applications.

Of course, ATI, NVIDIA and Apple tend to point fingers at each other, although to the best of my understanding the hold-up is in the drivers and apparently Apple write the drivers for OS X. Perhaps there’s a great push to get these cards into Macs when Tiger ships – we can only hope so at least, but in the absence of hard information I vote that we in the post production industry let Apple know that we want these cards supported so we can have better performance from Avid Adrenaline on OS X, Apple’s Motion, anything CoreVideo coming up (NAB is only 12 weeks away), Boris Blue, Combustion and more.

Until we get support for these tools, there remain good reasons to go with Windows for true power graphics users.