The present and future of post production business and technology | Philip Hodgetts

Sync-N-Link is a specialized app used on productions that shoot picture and sound on separate devices, with matching time-of-day timecode. What we discovered in talking about it a few night ago, is how Sync-N-Link has been at the forefront of evolving workflows over the roughly six years the two versions have been in release.

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For anyone who hasn’t been hiding under a rock, you might have noticed that Focus released this week, and edited on Final Cut Pro X. For Greg and I it is the final chapter in a story that started with an email and subsequent phone call in December 2012. We worked closely with the editorial team to make our software tools meet their needs. What I didn’t realize until recently is that my little book Conquering the Metadata Foundations of Final Cut Pro X had a role in this story too.

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In this show we talk about the support that a small boutique facility has both in terms of the features needed, and the ongoing support.

Nobody cares about Terry

As a small independent software developer we don’t have a huge staff. There are exactly two of us: Greg and myself, so if we’re traveling together we have to be able to support customers. That means Internet access and some means of answering the phone. These are not as easy as I’d like when traveling internationally, so I thought I’d share our approach.

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In the first Terence and Philip Show for – well, too long – Terence Curren and I look back on the trends of 2014.

Feb/15

17

Modern Family Episode shot on iDevices

CNET are reporting that the February 25th Episode (Season 6 Episode 16) was shot with iPhone 6 and iPad Air 2 (with a little assist from a MacBook Pro). An iPad Air 2 was my primary “camera” for my family history video shoot back in early January.

As it turns out, Gatekeeper wasn’t finished with us yet, as it turned out when Greg went to add another feature to Producer’s Best Friend.

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Writing the code for a new feature is often the easiest part of the life of a small software developer. Two recent examples tell the story very well. Both involve updates to our reporting tools: Sequence Clip Reporter and Producer’s Best Friend. Part 2 follows tomorrow.

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Feb/15

9

Two Production Extremes

Of recent time I’ve been discussing my minimalist production kit. Well, in our neighborhood today, we had exactly the opposite.

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How small can a high quality production kit go? It depends on the usage, but the kit I used for a recent trip to Tasmania to record interviews for a family history project. This is the same kit I discussed in A New Production Haiku recently. I also discussed the audio portion in more details Larry Jordan’s Digital Production BuZZ on February 5th. The BuZZ segment is below the LACPUG presentation.

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