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Item of Interest Media Consumption New Media

Breaking Bad to Fill Year-Long gap with webisodes

Breaking Bad to Fill Year-Long Hiatus With Short Webisodes http://bit.ly/d1lSUH

A great way to keep interest up between seasons of major shows.

These episodes will be available some time after January, when the show will begin production on the new season. “I, for one, am eager to make these little interstitials important,” the show’s star, Bryan Cranston, told Deadline. “I don’t want them to be simply filler or recap, but something that actually moves the storyline forward. If we’re going to do it, it ought to be a real part of the larger show.”

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Item of Interest

Hey NY Times: Can You Back Up your Claims?

Hey NY Times: Can You Back Up The Claim Of $200 Billion Lost To Counterfeiting? http://bit.ly/9GTU3I I thought not, they’re totally bugus.

The mainstream media really do themselves a disservice when they blindly quote “statistics” or “reports” from any record industry, movie industry or counterfeit-fighting source because the statistics are clearly bogus you do any investigation.

If the media won’t investigate, what purpose do they serve? Disseminate press releases?

I could take arguments of the “damages from piracy” a little more seriously if the “proof” wasn’t so obviously just made up with no provable case.

Back in 2007 we wrote about a study by the well-respected GAO which noted that industry claims on counterfeiting were massively overblown. The GAO looked at the actual data and found that, contrary to claims from the industry that 5 to 7% of world trade involves counterfeit materials, the research they’ve seen shows it happening in less than 1% of trade and the value of those goods was significantly lower. Of course, obviously, those trying to pass counterfeit goods across the border will do their best to hide it, the evidence of the supposed 5 to 7% is totally lacking.

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Item of Interest

The Terence and Philip show, Episode 3

The Terence and Philip show, Episode 3 Live. http://bit.ly/aTWoxi. Terence Curren and I continue our irreverent discussions.

In this third episode Terence and Philip discuss what went wrong with Matchframe Video – where Terence was employee one – and what business lessons can be applied to any production or post production business. They compare the trends in video post with other industries. The discussion continues as to what they’d do if starting out now. And, of course, discussion of Apple’s direction with Final Cut Pro gets included.

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New Bill to Mandate Captions for Web TV

New Bill to Mandate Captions for Web TV http://bit.ly/dawU17

First there has to be a commission set up to determine the time scale for implementation, and it only applies to material that has first been broadcast somewhere else. Since broadcasters mostly have to close caption for broadcast, the source material will be available.

This would be a burden if it were ever extended to original “web TV” (whatever that is).

But if it is ever mandated, then the Universal Subtitles Project might be the solution.

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Item of Interest

Matrox Announces Vetura Capture Application for OS X

Matrox Announces Vetura Capture Application for Mac OS X http://bit.ly/d0Zh6t

Preparing for the next FCP without L&C (Joking folks, joking) More likely that Matrox simply wants to improve their offerings for OS X and be somewhat independent of any host NLE. I wouldn’t read too much into it.

Update: Scott Simmons is probably spot on when he says that it solves the capture problem for MXO mini users and Media Composer. With Vetura they could capture DNxHD media if Media Composer is installed. Oops, not such good news for those selling Avid hardware.

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Assisted Editing Interesting Technology Item of Interest Metadata Video Technology

Powerful new transcript workflow tool

Powerful new transcript workflow tool – paper cuts without the pain – from Intelligent Assistance (my day job). http://bit.ly/9nQv07

We just launched prEdit, our pre-editing tool for developing paper cuts (a.k.a. radio cut) from transcripts. prEdit:

  • Lets producers or editors cut transcripts into selects in seconds
  • Adds and updates log notes with auto-complete logging fields
  • Previews the video for any clip, subclip, paper cut or section of paper cut
  • Exports to Excel spreadsheets and Final Cut Pro, or Premiere Pro Sequences

“prEdit marks a new generation of postproduction tools,”  say I. “Video editing by text is a whole new way of working that will take weeks out of developing a paper cut.”

prEdit is available now from AssistedEditing.com and carries an MSRP of $395, discounted for an introductory special to $295 until August 31st. The prEdit workflow is described at http://assistedediting.com/prEdit/workflow.html and a video overview is available at http://assistedediting.com/prEdit. The first 80 seconds provide an overview.

The video is now available at YouTube  http://youtu.be/3fV388QsVVA?a

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Item of Interest

The Terence and Philip show Episode 2

The Terence and Philip show Episode 2 http://bit.ly/9WHnxK

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Item of Interest

Interesting experiment in recovering color from B&W TV Signals.

Interesting experiment in recovering color from B&W TV signals http://bit.ly/aF5UXd

It’s geeky, which is probably why I like it, but of use for documentarians and historians who will need to recover color in B&W recordings to fit it into a modern video presentation.

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Item of Interest

The Real Cost of Netflix Streaming is the movie

The Real Cost of Netflix Streaming is the Movie, Not the Bandwidth http://bit.ly/arTkUD

Despite my summary, it would not be feasible to distribute a blockbuster, like Shrek X , to everyone who wants it on release day. With the numbers that are typical for such a blockbuster release, it would take more than the world’s currently available bandwidth for several weeks.

Even Netflix continue to see growth in physical media delivery, expecting that to continue until 2014 before streaming takes over.

But it is an interesting data point that the costs of the rights are much more than the cost of the actual delivery of on-demand streams to subscribers.

But despite a huge increase in the amount of video streams it’s serving up through Watch Instantly, Netflix’s streaming costs haven’t increased proportionally. In the second quarter, the company said costs associated with delivery over third-party CDN networks only increased by $1 million versus the previous quarter. Netflix is benefiting from bandwidth costs continuing to fall exponentially as it grows its streaming business.

With the DVD side of the business, delivery costs outstrip programming costs:

But expenses associated with DVD delivery offset its reduction in purchase costs. According to Netflix, the costs of its DVD-by-mail business increased by $23.1 million in the second quarter. Due to the vast increase in its subscriber base, the number of discs shipped grew 9.3 percent, despite a 20 percent decrease in the number of DVDs per sub. Those costs could increase even further next year, as the U.S. Postal Service has announced plans to increase postage rates (again).

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Item of Interest

YouTube to increase upload limit to 15 minutes

YouTube to increase upload limit from 10 to 15 minutes http://bit.ly/962Bgl

Overall an evolutionary move with YouTube, which has progressively increased the file size limit, the highest quality limit (although I don’t buy “4K”) and now an extended duration for those who aren’t YouTube Partners. YouTube Partners have been exempt from the duration limit for a while now.

Just think about it: the move would bring 50% more “haul videos,” from shopaholic teen girls; 50% more crazytime rants from random dudes; 50% more hamster montages; and 50% more double (whoah that’s almost a triple) rainbows.

Why now? I don’t know. Why not? But I’d put my money partially on the company’s recent win in the Viacom case, and a sense that they’ve now figured out more effectively how to help the big content owners (labels, movie studios, TV networks) identify infringing uploads, which might tend to fall largely in that longer-form category.