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Interesting Technology Item of Interest

Android’s Google Translate, Conversation mode:

Android’s Google Translate, Conversation Mode – http://bit.ly/cainG7 effectively replicates Star Trek’s Universal Voice Translator.

Who could read that headline and not comment?

Mobile product director Hugo Barra demoed a forthcoming update to Android’s Google Translate, Conversation Mode, which effectively replicates Star Trek’s Universal Voice Translator– it uses the phone to facilitate a two-way conversation between people speaking in different languages.

Personally, I’m hanging out for the Halodeck.

Categories
Item of Interest Monetizing

The Attack Of Branded Content

The Attack Of Branded Content: Who Will Control TV On The Web? (TCTV) http://tcrn.ch/aa3VKG

I’m a much bigger fan of “branded content” than advertising because:

  • Branded Content is going to be relevant to the content, so it’s got a much bigger chance of being relevant to me if I’m watching the program;
  • Branded Content integrates the product promotion into the show so it’s less disruptive than unrelated advertising shoved at the audience;
  • It provides the brand a clearer message: they’re the only message associated with the show.

Now, Erick Shonfeld of Techcrunch is less of a fan of Branded Content than I am, but I think he makes a fundamental mistake in his introductory paragraph:

I’ve got to admit, the concept of “branded content” on the Web makes me cringe. It is generally used to refer to Web videos created and packaged specifically for an advertiser. Maybe I am old-fashioned, but I like my videos created for the audience first, not advertisers. And yet, in the budding Web video industry, branded content is bringing in some serious dollars and even some serious talent.

He makes the mistake that “videos [are] created for the audience”. Television Content has only one customer: the advertiser. The producer makes a show that the network/cable channel thinks they can sell to enough advertisers to get a return. The audience is never an important factor, other than there needs to be enough of them to sell the advertiser on advertising on the show.

Branded Content is more likely to be made for the audience because if it’s not then the brand is going to get much less value from it. On a recent Terence and Philip Show Terence Curren told the story of a mom-focused show sponsored by Kraft, but looking at the video the only obvious intrusion of the sponsorship by Kraft was a strategically placed bottle of Kraft dressing in a family meal shot. Terry says he would not have noticed other than he knew that Kraft sponsored the show.

Advertising – creating an audience that you can then ‘sell-out’ to advertisers by interrupting the entertainment to force you to watch advertising. With Branded Content we choose what we want to watch, in return we’ll probably see one or two branded items. If that’s well integrated into the show, it’ll only be obvious because broadcast and cable have become “brand phobic”: unless the brand is a sponsor they blur the brand out, or use fake brands.

Read the article and tell me in the comments whether you think Branded Content is a good thing or not. I think it’s better for the audience and better for the advertiser/brand.

I like the model that Mark Pesce promulgated in Piracy is Good? (or on video) where he explains the principles of Hyper-distribution: single sponsor, integrated product promotion; free and widespread distribution.

Categories
HTML5 Item of Interest

HTML5 Player Comparison

HTML5 Player Comparison http://bit.ly/9l0fs3

A good listing of features for HTML5 players that allow you to add features beyond basic browser playback, including full screen. Many are iOS compatible and will fall back to use Flash if the browser doesn’t support HTML5 or the format of your video isn’t supported under HTML5 on specific browsers. For example, if you format to MP4 H264 supported by Chrome, Safari and IE9, you’ll get a Flash player fallback on Firefox.

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Distribution Item of Interest Monetizing

Artists Make More Money in File-sharing Age than before.

Artists Make More Money in File-Sharing Age Than Before It http://bit.ly/a2ccxk

An extensive study into the effect of digitalization on the music industry in Norway has shed an interesting light on the position of artists today, compared to 1999. While the music industry often talks about artists being on the brink of bankruptcy due to illicit file-sharing, the study found that the number of artists as well as their average income has seen a major increase in the last decade.

Categories
Item of Interest

Think Tank: Flip-thinking

Think Tank: Flip-thinking – the new buzz word sweeping the US http://bit.ly/9Uzxks

Most of the article is devoted to flipping the “input” vs “homework” parts of schoolwork on their head, but toward the end of the article the author attempts to theorize about what might happen if the principle is applied to movie distribution:

Or imagine flipping the sequence in the movie business. For blockbusters, the typical strategy is to open huge the first week, maintain the momentum for a while, and then come out on DVD when interest wanes. Alas, most films aren’t blockbusters. So for those sorts of movies, studios instead could first issue a low-price DVD or streaming video to build an audience. If the film proved popular, the studio could then release it to theatres – where early adopters and people who have heard the buzz could watch the film as a communal experience.

Categories
Assisted Editing Item of Interest

YouTube video – Cutting Transcripts to Subclips

I uploaded a YouTube video — Cutting Transcripts to Sublips UL.mov http://youtu.be/Gldh1uCTsVI?a

This video also shows how easy it is to enter log notes (aka metadata) – so easy you might even enter them!

The video is too wide for the blog layout so watch it at YouTube.

Categories
Distribution Item of Interest Monetizing

Thinking about how to find your Audiences.

Thinking about how to find your documentary’s audiences, Part I http://bit.ly/9zJv1V

This article parallels some content I’ve been teaching in my How to grow and monetize an audience for your independent production” seminar. (Not currently scheduled anywhere but got great attendance and review in New York (March) and San Francisco (June). I’ve also written on the subject Why is the First Audience so Important.

You must find that first audience, what this writer calls the “Insanely Interested”, for two reasons:

1. You cannot market to everyone, and films that are tightly focused perform better (the site with that reference http://thefutureofmovies.com/2010/02/a-target-audience-means-better-box-office seems to have lost its archives sadly). Key quote:

And it’s not that there is some big new trend of more women going to the movies. Rather, said Vinny Bruzzese, executive vice president of the motion-picture group for research firm OTX, the over-performance among women for certain films shows that “studios are catching on that you have to make the movie for a specific audience tend to overperform.”

2. Reaching a single target audience is easier because you can work out where they “hang out” online and in the physical world, making it much easier to target.

From the article, just ahead a graphic representation of the hierarchy of audiences.

Filmmakers are in many ways a romantic lot, embracing new advances while also clinging to the old notion of success: The opening at Sundance to rave reviews, the wide theatrical release, then national television and the Academy Award. For some, it’s still true, but for every Louie Psihoyos there are thousands of expensively-made documentaries that simply never got anywhere. And the reason for that has much to do with approaching audience.

Micro audiences can be of two types. One costs a lot of money to get, and the other costs much less. Filmmakers who can dispense with the dreams of grandeur can often find success and profit in the right kid of micro-audience.

Categories
Item of Interest

TubeMogul Rolls Out HTML5 Analytics.

TubeMogul Rolls Out HTML5 Analytics http://bit.ly/cy5rLX

This is an important step in HTML5 adoption, because without Analytics, publishers monetizing content with ads would be working in the dark.

Online analytics and monetization firm TubeMogul is making its reporting features available to companies that deliver video through HTML5 video players. By doing so, publishers can get the same analytics from the iPhone and iPad as they receive through Flash video players online.

Personally, I avoid any media with advertising so this isn’t going to help me.

Categories
Business & Marketing Distribution Item of Interest

Evidence Shows You Can, In Fact Compete with Free.

Evidence Shows You Can, In Fact, ‘Compete’ With ‘Free’ http://bit.ly/aTRffo

Modplan points us to a recent talk given by professor Michael D. Smith at Google. Smith is fromCarnegie Mellon and is discussing some of his recent papers, such as one on whether or not “piracy” acts as promotion for movies and another one on how digital sales, when set up right, don’t actually cannibalize other sales. That latter one debunks the silly claim from Jeff Zucker and many others that they’re “trading analog dollars for digital pennies.”

If you can’t compete with “free”, you probably can’t compete in a digital era. This article is a pretty thorough debunking of the myth that you can’t compete with free, and highlights the importance of meeting customer needs, rather than your own needs.

One bit of research involved the natural experiment that happened when NBC Universal, due to a contract dispute with Apple, removed its TV shows from iTunes for almost a year before putting them back. So, what happened when the content got pulled? Well, first, piracy rates increased — and not just in absolute numbers. The research compared piracy rates against the other major TV networks, and found that the rates tracked almost exactly prior to the content getting pulled from iTunes… but the second it got pulled, NBC piracy rates were noticeably higher than the other networks. In other words, not offering consumers a way to buy your content legitimately increase unauthorized access. No shock there, but nice to see the data to support that. Specifically, the data found that the “demand” for unauthorized versions increased by 11%.

Categories
Item of Interest Media Consumption

Online Video Discovery Shifting from Search to Social Media

Online Video Discovery Shifting From Search To Social Media http://bit.ly/duYtu2

Apart from the randomness of finding new programming by flipping channels (and the inefficiency thereof) most people either saw an advertisement for a program or got a recommendation from friends. Back when we had a homogenous TV viewing culture – where there was limited choice – this was the “water  cooler” effect where people discussed the previous night’s TV with each other.

Online people tended to search because of the difficulty of finding new programming that might interest them. But now the trend is back to human recommendation via social media. We’ve come full circle back to where we started.

Even in the depths of the recession, online video ad growth continued to surge by double digits. Spending is still expected to rise robustly over the next few years, but a report from cloud-based online video platform Brightcove and video analytics provider TubeMogul the sites that have been benefiting from the online video’s growth could change. Not surprisingly, Facebook emerges as key traffic driver for online video, with Twitter another major avenue for viewers. Referral traffic for online video from Facebook and Twitter is actually growing faster than refers from traditional search engines. At current growth rates, Facebook will surpass Yahoo (NSDQ: YHOO) within the year to be the second only to Google (NSDQ: GOOG) for video referral traffic, the report finds.

Will Apple be doing a Ping for Film and Television as well as Music?