Categories
Apple Pro Apps Video Technology

Why is it so hard to convert FCP 7 XML to FCP X XML?

I was a little shocked to find people posting on Twitter and Facebook that they had tried to import Final Cut Pro 7 XML into Final Cut Pro X with the new “import XML”. That would be like opening a Word document and complaining that it didn’t translate from Spanish to English while opening the file.

By itself, XML tells you nothing. It is a generic term that tells you as much about the content as having a “Text” document tells you about the content. As I wrote four years ago for KenStone.net XML stands for eXtensible Markup Language.  You may be familiar with another markup language: HTML, or HyperText Markup Language.  In HTML only the WC3 consortium can add new tags because it is not extensible. On the other hand XML is “extensible”, meaning  anyone can extend it to mean whatever they want it to mean.

And that’s true for every type of XML.  In the case of XML for editing applications, the XML represents the underlying data structures from the application. So, we have:

Categories
Apple Pro Apps

Another reason why Roles > Tracks

An interesting little side benefit that I hadn’t noticed about Roles, is that Final Cut Pro X will give a read-out of the duration of the media tagged with a specific role, throughout the whole Project.

A summary of duration appears in the Timeline Index header.

Select a role and, as well as all clips tagged with that role being highlighted, a summary of duration appears in the header of the Timeline Index.

Categories
Apple Pro Apps Assisted Editing

Announcing Project Xâ‚‚7

At LAFCPUG’s special meeting at DV Expo we showed, for the first time a brand new app from Assisted Editing (my day job): Project Xâ‚‚7 (10 to 7), which takes the brand new FCP X Project XML export and converts it through a simple drag and drop applet to FCP 7. FCP 7 sequence XML is generated and loaded directly into FCP 7.

Categories
Apple Pro Apps Metadata

Why are roles superior to tracks?

When I wrote on Saturday about how tracks have evolved from their compositing role, to one where they became defacto metadata I had no idea Apple were about to release the first Final Cut Pro X update (I only found out on Monday). I also wrote in Conquering the metadata foundations of Final Cut Pro X:

Apple teases us with Audio Role metadata that seems to have no current use within Final Cut Pro X.

If you open the Info Pane and select the Info tab, you will see the pop-up menu in Figure 20.1. showing the Roles

One magic way for this to be useful would be as a solution to the missing audio output options. In the near-magic, near-future I expect that a future version of Final Cut Pro X will use this Audio Role metadata to route audio outputs. At version 1 Final Cut Pro X’s audio output options are very basic, and there’s improvement coming, for sure.

So you can imagine how excited I was to open Final Cut Pro X 10.0.1 and see that those fairly limited audio roles (no doubt implemented specifically to enable export to OMF/AAF) had evolved into not only customizable Audio Roles, but to have the same option available for Video clips as well. And a Title Role comes rolled in!

Categories
Metadata

How Tracks evolved from function to Metadata

While watching the LAFCPUG “X Night” videos I noted that Michael Wohl advises that “all edits should be in V1” and not doing that is a sign of a failure to commit.  Similarly reviewing some FCP 1 release videos, they once again (and again from Michael) seem to advocate a mostly single track approach.  That would certainly parallel historic ways of working with video or film where only one track, or an A/B configuration was standard.

I think the use of tracks has evolved since then. One of the reasons that people became concerned when Final Cut Pro X took away the traditional track layout was simply because those tracks have become valuable metadata. A typical audio example might be

Categories
Interesting Technology

While looking at DaVinci Resolve, I noticed something very odd!

Blackmagic Design are using three “hero” shots for most of their website and press ads in support of the very excellent DaVinci Resolve.

Categories
Apple Pro Apps Interesting Technology Video Technology

What is the secret to Final Cut Pro X’s color management?

In the mid 1990’s my Australian company made the decision to purchase a Media 100 system. That remains the best business decision I ever made (and selling it to jump to Final Cut Pro 1 was the second best business decision). It also meant we were migrating from Amiga computers to Macs. Given that I already had a graphic designer on staff for titles, illustrations and animations, I decided to delight clients by having our designer create a full color slick for the (then) VHS deliverables. (Masters simply got descriptive labels.)

Until that point we’d only done black and white printing, and it’s easy to proof what you’re going to get on a B&W laser printer. Not so with color. Color output wasn’t as common then as it is now and we didn’t get the first Kinkos until very late in the 1990’s, so we really only had one choice for our runs of 2-3 covers for each job.

This became a serious problem when – while developing a food product for my parent’s company during the period I managed it (in addition to my own two companies) – we needed a very specific purple on mockup packaging we were presenting to food buyers at the national department store chains in Australia. Cadbury – Australia’s biggest chocolate company – have always used a specific purple in their packaging, and had just spent several million dollars on a campaign that heavily featured this purple. Since the new product was a chocolate variation on a traditional English Christmas Pudding, having the purple match was beyond important. And we got blue-purple, and red-purple: seemingly every color except the one we wanted.

Categories
Random Thought Technology Video Technology

Why is making software smarter “dumbing it down”?

Shortly after I first arrived in the USA, I was teaching some Final Cut Pro classes for Intelligent Media. It was just before Final Cut Pro 2 was released, which I had been beta testing for some months, but 1.2.5 was the release version we were teaching. At that time it was challenging for new users to get settings right, particularly getting a good match between Capture and Sequence settings, so the first half day was dedicated to teaching settings and making sure they were right. It was personally frustrating because I knew that the about-to-be-releaseed version was much smarter about settings.

As it turns out, Final Cut Pro 2 was released early the next morning, so the first thing I had to do in that second day of class was tell my students that what we had learned the day before was no longer relevant for version 2 because the software had become smarter, and that made it easier for people to use Final Cut Pro and no doubt contributed to its success.

Categories
Item of Interest Metadata

Metadata looms large at IBC

Metadata looms large at IBC http://t.co/gUiIvHX I’ll be teaching Metadata & Asset Mngmnt #dvExpo dvExpo.com code SFC11 to save money.

As expected, metadata is going to be a dominant topic at IBC, whether identified as such, or under the heading of Media Asset Management (MAM), because all media management is done using metadata, which is why I’ve combined them in my Using Metadata For Production and Asset Management day at DV Expo. (Check out my other sessions at DV Expo.)

Categories
Apple Pro Apps Interesting Technology

How to share Smart Collections between Events in Final Cut Pro X

I was working in Final Cut Pro X today and discovered a little trick with Smart Collections.

Smart Collections can be dragged from Event to Event.  You probably already knew that, but it was new to me.