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Item of Interest Media Consumption New Media

Breaking Bad to Fill Year-Long gap with webisodes

Breaking Bad to Fill Year-Long Hiatus With Short Webisodes http://bit.ly/d1lSUH

A great way to keep interest up between seasons of major shows.

These episodes will be available some time after January, when the show will begin production on the new season. “I, for one, am eager to make these little interstitials important,” the show’s star, Bryan Cranston, told Deadline. “I don’t want them to be simply filler or recap, but something that actually moves the storyline forward. If we’re going to do it, it ought to be a real part of the larger show.”

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Distribution Item of Interest

Worried about loss of iDVD from iLife?

Worried about (possible) loss of iDVD? http://bit.ly/9hiYvg

iDVD – the DVD burning part of iLife is, according to rumors, likely to be dropped from the iLife 11 package supposedly in development. In it’s place an unannounced mystery application.

Just how important is iDVD – well at the bottom of the Apple Blog article linked above, is a survey:

Daily 3.3% (20 votes)

Once a week 4.6% (28 votes)

Once a month 11.2% (68 votes)

Every few months 25.3%(154 votes)

Once a year 27.1% (165 votes)

I’ve never used it. 28.5%(173 votes)

Total of 608 votes at that point.

I wasn’t sure exactly where to place my vote. I’ve used it exactly once in five years. To do a slideshow!

Categories
Distribution Item of Interest Monetizing

Yes Men Make $11,000 on first weekend of P2P release.

Yes Men Make $11,000 on First Weekend of P2P Release http://bit.ly/aEP04J

By asking for donations while distributing the film The Yes Men Fix The World the Yes Men are bringing in “about $500 an hour” now.

For the Yes Men, that tipping point could actually come sooner than later. The duo has already said that it will definitely publish its next movie on file-sharing sites again to give back to people who finance its production with their donations. But Bonanno said that they could also change their mind on other distribution methods, like theatrical releases or TV deals, depending on how much money the current donation campaign will bring in.

Just shows that there are many different ways to distribute and fund a movie.

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Distribution Item of Interest

YouTube testing hybrid HTML5/Flash Embeds

YouTube testing hybrid HTML5/Flash embeds http://bit.ly/9Gxsdr

Just another data point along the way but it does seem Flash is slowly falling out of favor. Vimeo added HTML 5 support in January and pretty much every content distribution network now has support for HTML5 as well as Flash. YouTube’s owner, Google, is one of the major HTML5 proponents.

Since launching its HTML5 player, YouTube has offered a similar viewing experience on its own site, though the convenience was not carried out to embedded videos. Instead, these linked to the clip in an Adobe Flash wrapper, which mobile devices like the iPhone and Android could identify and re-route to the source clip, but browsers without that logic built-in would see nothing at all. The new code fixes that.

Categories
Business & Marketing Item of Interest

Amanda Palmer Sells $15,000 of music and merchandize in 3 minutes.

Amanda Palmer Sells $15,000 Worth Of Music & Merch In Three Minutes http://bit.ly/aSX730

Amanda Palmer, recently dropped by her record label to her great pleasure, has been experimenting with different revenue models to fund her music. (Note I didn’t say “selling her music”.) She’s a big believer in the Techdirt formula of Connect with Fans and give them a Reason to Buy (something) and you have profit. Or at least a decent income for the work of making music.

From our view here at Bandcamp HQ, yesterday’s launch of Amanda Palmer Performs the Popular Hits of Radiohead on Her Magical Ukulele less resembled a record release than a coordinated strike of ravenous piranha. In one three minute period, her fanbase snapped up $15,000 in music and merch. It didn’t let up much from there: 4,000 digital EPs were sold, the vinyl sold out, most of the high end packages disappeared in minutes, and at the time of this writing, it looks like every other package will be gone in a matter of days

Different options giving fans different places to connect, including a “pay what you like” option. The money is there but artists have to “think different”. Remember, if you have 1000 real fans, who can be provided with something of $10 value a month (on average) in music, merchandise, tickets or participation, then that’s a comfortable $120K a year.

Categories
Business & Marketing Distribution Media Consumption

What is my beef with advertising?

Yesterday’s post about $10 being the “magical figure” for video-on-the-web from prime sources, and I basically said that there’s no way I’d pay for a service that included advertising. I hate advertising: it’s intrusive and about 99.9976% irrelevant to my needs or interests.

I also hate advertising for another reason: it’s an economic intrusion on my life. It costs me far, far more than the benefit that Hulu – or a network – gets from advertising even though they’re charging more than they would normally get from advertising.

Here’s why. Typically a major network TV show will garner 25-65c per viewer per show. Very occasionally a top-rating, network-leading show might crack 85c per viewer per show.

Now, an “hour” long TV is is 42 – 44 minutes, not 60. The other 16-18 minutes are advertising. My time to watch those ads has a finite value and it’s not an equitable one at all.

Hulu does not have anywhere near the ad load of a Network but there’s less inventory so the same ads keep repeating in a very annoying fashion. Let’s say that there are 5 x 20 second spots in each 45 minute show. At best Hulu will be getting 65c from those five ads, more likely they’ll be getting a fraction of that, but let’s be generous.

At my charge-out hourly rate, that 2.5 minutes costs me $6.25!!! At my nominal salary rather than charge-out rate that’s still $2.79!! An average plumber would have a $3.33 opportunity cost from the advertising!

So, Hulu Plus wants to charge me $10 a month and then cost me $2.79 for every show to cover my attention to the show. Every single show I watch. Since we watch very little TV, way under 2 hours a day, that’s an additional (using the extremely generous 65c per hour show figure) $78 in revenue to Hulu Plus, although given the size of Hulu’s audience I doubt they get even 20c per viewer per hour show making that closer to $24 in advertising revenue.

But that time has cost me $334.80 for the month in attention.

And that, Hulu, is why you can’t have it both ways.

And before you all start in the comments, watching any TV is an opportunity cost. I choose to do that but I choose not to watch advertising because watching the advertising adds an additional $335 in opportunity cost to watch the advertising.

The cost to me is 4.3 to 16.5 times higher than the benefit to Hulu. I guess I’ve just convinced myself that a Hulu-like service, that I can watch on my TV and covers all programming ever made, will be worth $20 a month to me. Without advertising. With advertising it’s just too expensive.

PS, the numbers supporting advertising still don’t make sense at even more modest salaries. AT $20 an hour, the five Hulu ads still “cost” 83c up against a maximum revenue at Hulu of 65c (and more likely 20c). Monthly opportunity cost at $20 an hour is $59.40 for Hulu’s $79 down to $24 in revenue.

Categories
Business & Marketing Item of Interest

“Pay what you want” benefits companies, consumers, charities!

“Pay what you want” benefits companies, consumers, charities http://bit.ly/d9yk1l

When pay nothing is an option, there will be a group of people who will pay nothing, but like Radiohead found, the total revenue from pay-what-you-want can be (is always?) higher. This article is interesting because they tried a number of strategies that took average profit per person from 6-7c with the normal fixed price option, up to 20c per person.

According to the authors, the “pay what you want” strategy works because it allows companies to chare social responsibility with consumers. When buyers are able to set prices in a way that directly shows their support for a cause, everybody wins.

Categories
Item of Interest The Business of Production

High Quality Fan Flick Leads To $8 M Funding

High Quality Fan Flick Leads To $8 Million Hybrid Fan/Investor Funded Pro Film http://bit.ly/cARYs3

If you missed Star Wreck a couple of years back, you should take the time to revisit. I was privileged to interview the founders on the Digital Production BuZZ back when I was more actively involved in that show. Made in a 10×12′ room, on green screen, even the main deck is a composite shot if there are more than 2 people in it. The animation work was amazing. It was the work of a core crew of dozens and more than 300 people were involved at some point in the three year creation process.

Well, the success of that film – it’s made a lot of money despite being available for free download and is the most popular Finnish movie ever.

They’ve been working on the sequel for some time and the good news is that it’s been funded with a combination of fan funding and more traditional professional funding in a combination not tried before.

But what’s most interesting to me is how this story progressed. It went from some fans messing around and creating a rather impressive film visually speaking, to a new $8.5 million production. $8.5M is still a small amount from a movie-making perspective, but it’s not nothing. Plenty of excellent indie films have been made for a lot less. And, of course, you never know what happens next, after this film is made as well. And that was really the point. It was never that the model that created Star Wreck was the answer, but that the overall ecosystem is evolving, and its evolving to a world where the fans and the community really area a part of things, rather than looked at as evil people who just want stuff for free. Embracing your community leads to wonderful possibilities.

Seems maybe you don’t need $200m for every blockbuster!

Categories
Item of Interest The Business of Production

David Lynch To Crowd-Fund Next Project

David Lynch To Crowd-Fund Next Project http://bit.ly/9R41mn

Well now Lynch is diving headfirst into the unchartered waters of crowd-sourcing and fan-funding akin to whatTrent Reznor attempted to do with Nine Inch Nails and the digital release of the album Ghosts. For fifty smackers, you can be part of Lynch’s project (tentatively titled Lynch three Project) which is said to be a personal examination of his last major theatrical effort Inland Empire along with chronicling some personal habits of the artist.

 

Categories
Business & Marketing Distribution Item of Interest

Author Puts Novel Online For Free… And gets a book deal.

Author Puts Novel Online For Free… And Gets A Book Deal http://bit.ly/aS6DpH And sometimes self-publishing can lead to a deal with a major book publisher as has happened to Mac Video’s Rick Young who now publishes his Easy Guide to Final Cut Pro.

In this example, the author put her “young adult vampire novel” on document distribution site Scribd for free and the resulting publicity helped land a traditional book deal.

Now, just giving your content away for free and praying for a return isn’t going to work, but there are – according to my How to Grow and Monetize and Audience for your Independent Project seminar – 13 or 14 ways to use free distribution of content as a way of selling something else.

The rationale is that digital content is not scarce – it’s very easily reproducible for virtually nothing – then it’s hard to sell, because classic economics is based on scarcity. There are those who have tried to create artificial scarcity for digital goods, but those have generally failed badly. Where there has been success is where the infinite digital good is distributed free in order to promote something scarce: like concert tickets, merchandise and so on.

This is not that removed from traditional Record Label deals where the band makes nothing from their music but does from touring.