Categories
Item of Interest

Sony adds to Samsung’s warning about 3D TV

Sony adds to Samsung’s warning about watching 3D TV. http://bit.ly/cMpV58

Funny that Sony should add it’s warning to that of Samsung a while back – More Good News for 3D? back in mid April. Now ArsTechnica reports that both Nintendo and Sony are placing warnings:

“Some people may experience discomfort (such as eye strain, eye fatigue or nausea) while watching 3D video images or playing stereoscopic 3D games on 3D televisions,” the 3D section of the PlayStation 3 Terms of Service reads. “If you experience such discomfort, you should immediately discontinue use of your television until the discomfort subsides.” The other paragraphs consist of standard warnings: if your eyes hurt, stop playing until they stop hurting. Ask your doctor about younger children using 3D devices.

Reggie Fils-Aime, the President and COO of Nintendo of America, issued a similar warning when talking to Kotaku. “We will recommend that very young children not look at 3D images,” he said. “That’s because, [in] young children, the muscles for the eyes are not fully formed… This is the same messaging that the industry is putting out with 3D movies, so it is a standard protocol. We have the same type of messaging for the Virtual Boy, as an example.”

Categories
Item of Interest

NYC court tosses FCC’s fleeting expletives policy.

NYC court tosses FCC’s fleeting expletives policy http://bit.ly/9idM78

It’s always been unreasonable to hold the broadcaster responsible for the actions that happen on air that they have no control over – other than never really doing anything live, which kind of kills the last real opportunity for broadcasters.

An essential decision for the future of broadcasting live TV.

FCC spokeswoman Jen Howard had no immediate comment.

“The score for today’s game is First Amendment one, censorship zero,” said Andrew Jay Schwartzman, policy director of Media Access Project, which joined the case on behalf of musicians, producers, writers and directors.

Carter Phillips, a Washington lawyer who argued the case for Fox Television Stations Inc., called the decision satisfying. He said the court had “sent the FCC back to square one to start over” by not only tossing the FCC’s fleeting expletive policy but also a broader indecency policy as unconstitutionally vague.

 

Categories
Item of Interest

WIPO Claims ACTA just to get around WIPO

. http://bit.ly/d8OhWF

The ACTA treaty being negotiated in secret will force countries that sign it to institute even stricter  copyright provisions, criminalizing what are civil disputes. There is no oversight, and the only meeting that get take are with heads of the five major copyright owners.

What’s ironic here is the the World Intellectual Property Organization is complaining because they should be the body where these types of international agreements are thrashed out. WIPO tried to put in place some very draconian, anti-competitive provisions that were beaten down by countries other than the USA and dropped the worst provisions.

This didn’t fit with the demands of “big copyright” to protect their dying business models so the even more onerous ACTA process came into being.

I’d argue that he’s being a bit too hard on himself. It’s not that the WIPO process doesn’t work (though, I do have some problems with the WIPO process as well), but that the copyright holders were upset that they no longer had near unilateral control over the process. It wasn’t that they felt WIPOcouldn’t address the issues, but that it would be much harder to get them addressed in the way industry folks wanted.

All this despite the fact that the US Congressional Budget Office has stated that weak copyright is better for society.

Categories
Item of Interest

Why Can’t I Pay You?

Why Can’t I Pay You? http://bit.ly/9pLIwl

This hits right to the heart of my complaint. I want an on-demand, ad-free service where net revenue to the copyright owner is the same as if it went to broadcast or cable. I want to pay a fair price for the service I want to buy.

Why won’t anyone take my money? Anyway, here’s Palmer’s gripe:

Who gets paid and how is always the number one question in the meetings I attend. With the advent and explosive growth of identifiable broadband devices, it’s really time to work on some systems that will allow us seriously reduce casual piracy. No one wants to be a criminal and most people who can afford smart phones and broadband plans are willing to pay fairly for what they consume … we just need to give them a way

Categories
Item of Interest

Wow, shrewd of Apple

Wow, shrewd of Apple… free 3-day summer moviemaking camp for 8-12 year olds. Get ’em hooked for life… http://bit.ly/14QCIc

Found by David Pogue and tweeted. This is a shrewd move on Apple’s part because if they can get everyone working with their visual storytelling tools when they’re young, they’ll have them for life.

Categories
Distribution Item of Interest

4K video comes to YouTube

4K video comes to YouTube http://bit.ly/bJsre3

From the Google blog:

Today at the VidCon 2010 conference, we announced support for videos shot in 4K (a reference resolution of 4096 x 3072), meaning that now we support original video resolution from 360p all the way up to 4096p. To give some perspective on the size of 4K, the ideal screen size for a 4K video is 25 feet; IMAX movies are projected through two 2k resolution projectors.

Now there’s somewhere to distribute all those RED-shot movies 🙂

Needless to say, watching 4K from YouTube is going to require a darned fast Internet connection.

Oh, and here’s the backstory from the guy who made the showcase 4K movie for YouTube’s launch today.

Categories
Item of Interest New Media The Business of Production

YouTube Tries To Boost Production Budgets

YouTube Tries To Boost Production Budgets With $5 Million Grant Program http://bit.ly/9Q2nVF

As they say:

The goal of YouTube Partner Grants is to act as a catalyst by infusing additional funds into the production budgets of a small group of YouTube partners who are at the forefront of innovation. Funds from YouTube Partner Grants will serve as an advance against the partner’s future YouTube revenue share. This additional funding can allow partners to invest in better cameras, achieve higher production quality, expand their marketing efforts, expand their staff, or just hire more talent. Anything that will help them evolve their art, business, and ultimately the entire creator community. We look at this as an investment that will bring an even richer body of content for our users and advertisers and raise the creative bar for online video.

So it’s more of an advance on advertising revenue than a grant, but still, it should help that “select group” to improve their product.

Categories
Business & Marketing Distribution Item of Interest Media Consumption New Media

The Lack Of A ‘Golden Ticket’ doesn’t mean you give up and go home.

The Lack Of A ‘Golden Ticket’ Business Model Doesn’t Mean You Give Up And Go Home http://bit.ly/axLkMF

Kara Swisher goes to meet with Hollywood Executives who are all looking for a Golden Ticket (Willy Wonka reference) so that they can charge the same monopoly rents they did when they (used to be) a monopoly.

Michael Masnick deconstructs Swisher’s reporting and parses it for us. This is a worthwhile read, even if a little long.

From music to movies to television, the biggest minds here still sound perplexed as to what will finally be the golden ticket to carry them through to the inevitable next era of digital distribution.

That single sentence basically describes the problem. These guys are sitting back and waiting for someone to hand them a golden ticket that replicates the old ways of doing things. That’s not how it works. No one gave the buggy whip makers a golden ticket that let them keep their old lines of business going.

The unnamed executives even ask why the customer always gets to be right. Yep, that’s how far removed they are from any sense of commercial reality. The customer is always right because there’s always someone else that will meet the customer need if you don’t. (Where is my “any program, any time, any device for a fair price” service again? There’s a customer demand for it but the old guard won’t deliver.)

Final words:

The role of the disruptor is not to make life easy for the disrupted. Swisher and these execs seem to be confusing the role of certain folks in the legacy industry with the overall entertainment industry itself. As noted, the entertainment industry is thriving. More movies, music and books are being created. More money is being spent. It’s just that it’s going to different players. There’s no reason to “figure out a way to keep talent from being dragged into the future.” The opportunities and wide open path are there. The problem isn’t that tech leaders haven’t made it easy for them. They have. It’s that these guys are so myopically focused on the way they used to make money they don’t realize that the new opportunities are already there and have been embraced widely by others.

Categories
Item of Interest

Why People Hate Ads and Love [Good] SEO

Why People Hate Ads and Love [good] SEO http://bit.ly/9Bw3hk SEO is Search Engine Optimization – making your site more visible to Google and other search engines, and therefore to the world.

Advertising, in general is intrusive and irrelevant. Intrusive because I’m generally on the page or watching the program for reasons other than buying a car, banking, tampons, et al. Ads are so intrusive to me, that I go out of my way to avoid them. On the web it’s Adbock and ClicktoFlash that makes it feasible to surf the web without bleeding eyes. For TV it’s harder. I could buy (that which is available) from iTunes but that’s about 4-8 times more expensive than the revenue networks get from advertising against premium content so I feel ripped off. (Does the word Usury have any meaning to those people?)

So I’m with the author:

I hate ads. I’m not the only one. Most people hate annoying ads. People hate ads on the Web and block them using a plethora of tools. They also hate outdoor ads and TV ads. They hate them

  • for the interruption
  • for the blatant lies 
  • for the selling of fake lifestyles

On the other hand I’ll occasonally click on a sponsored link from search advertising because a) it’s relevant to something I’m interested in and b) incredibly unobtrusive. It’s really easy to ignore the text links on a Google results page.

It’s the SEO experts who make the pages as relevant and Google friendly as the search giant needs them to appear on top.

No site matches Google’s expectations by itself. It takes people who work hard to make it relevant. 

That’s why people love SEO. SEO ensures quality of search results in order to fulfill people’s wishes. The people get what they want when they want it because of SEO. Google only responds to what webmasters and SEOs do.

Categories
Apple Metadata Video Technology

How serious is Apple about metadata?

During a recent thread here where I “infamously” suggested Apple should drop Log and Capture for the next version of FCP, one of the topics that came up was the use of metadata. Most commenters (all?) appeared – to my interpretation – to feel that reel name and TC were the “essence” of metadata.

And yet, if we look at the most recent work of the Chief Video Architect (apparently for both pro and consumer applications) Randy Ubilos we see that Location metadata is a requirement for the application. According to Apple’s FAQ for iMovie for IPhone if you don’t allow iMovie for iPhone to access your location metadata:

Because photos and videos recorded on iPhone 4 include location information, you must tap OK to enable iMovie to access photos and videos in the Media Library.

If you do not allow iMovie to use your location data, then the app is unable to access photos and videos in the Media Browser.

You can still record media directly from the camera to the timeline but, without the Location metadata, you’re pretty much locked out of iMovie for iPhone for all practical purposes.

There is no location metadata from tape capture! There’s not much from non-tape media right now, although some high end Panasonic cameras have an optional GPS board. However P2 media (both DVCPRO HD and AVC-I) as well as AVCCAM all have metadata slots for latitude and longitude.

Now, I’m NOT saying that Apple should force people to use metadata – particularly if it’s non existent – and this type of restriction in a Pro app would be unconscionable. I merely point out that this shows the type of thinking within Apple. In iMovie for iPhone they can create a better user (consumer) experience because they use Location metadata for automatic lower third locations in the themes.

Where I think it’s a little relevant is in counterpoint to some of my commentors: building an app that’s reliant on metadata is a different app than one relying on simple reel name and TC numbers.