Categories
Item of Interest

We use it every day. “The internet: everything you need to know”

A great, insightful article by John Naughton. http://bit.ly/bAuoOY

A funny thing happened to us on the way to the future. The internet went from being something exotic to being boring utility, like mains electricity or running water – and we never really noticed. So we wound up being totally dependent on a system about which we are terminally incurious.

He compares the introduction of the printing press with the Internet (an analogy I totally agree with) and wonders just what the ultimate result will be; after all, 17 years after the introduction of the printing press it would have been totally impossible to predict the overall effect.

It’s a long article, but definitely worth a read:

  1. Take the Long View
  2. The web isn’t the Net
  3. Disruption is a feature not a bug (read only this if you must skip the rest)
  4. Think Ecology not Economics
  5. Complexity is the new reality (Sharkey says complex systems can’t survive)
  6. The network is now the computer (but I still save things locally because connection is NOT ubiquitous and NOT 10%% reliable)
  7. The Web is changing
  8. Huxley and Orwell are the bookends of our future.
  9. Our Intellectual property regime is no longer fit for the purpose. (Amen)

Categories
Item of Interest

Things You Can or Can’t Fix in Post: Video Acquisition.

Things You Can or Can’t Fix in Post: Video Acquisition http://bit.ly/bB4bqK

Mark Schubin’s presentation from the San Francisco Public Television Quality Workshop, June 8, 2010.

This presentation consists of one PowerPoint and four MOV video clips (download each file):
Schubin-SFPTVQW-Acquisition (PPT, 22 MB)
Mounts-the_Problem_(slide10) (MOV, 8 MB)
Mounts-Fixed_in_Post_(slide11) (MOV, 8 MB)
Mounts-Not_Exactly_Fixed_(slide12) (MOV, 6 MB)
Rolling_Shutter_(slide61) (MOV, 11 MB)

You will have to play the video clips manually based on the on-screen prompts in the PowerPoint.

I had the pleasure of producing Mark Schubin’s The Schubin Report for NewBay Media for nearly 18 months – two episodes a month. It was great work because, not only was I reasonably well paid, the whole time I listened to Mark, I was learning!

Categories
Item of Interest The Business of Production

Pre-buy a frame of a movie to fund it?

Pre-buy a frame of a movie to fund it? http://bit.ly/dhtAK6

The makers of The Tunnel, a horror movie set in the tunnels bored beneath Sydney (Australia) are looking at a rather unique way to fund the movie:

The funding for the film is being handled by the ‘135K project’ – a reference to the 135,000 frames that will be present in the finished 90 minute movie. A freshly launched website invites people to invest directly by buying a single frame of the movie for $1, 25 frames (1 second) for $25 or a minute for $1,500.

Now that’s not a huge budget – around $168,000 – but for an independent feature it can be enough.

This approach was decided on with the (accurate) realization that there’s no way of fighting unauthorized distribution so you might as well move forward understanding that.

No media these days is excluded from becoming available on the Internet, and Enzo’s previous production was no different.

“It just takes a quick Google search to see the endless torrents for that [Food Matters], too. The production company was nowhere near big enough to even try and fight it, so it was accepted that it would happen. So this time around I figured we should try and embrace that huge potential audience and make it a part of our strategy,” he told us.

Categories
Assisted Editing Item of Interest Metadata The Technology of Production

I’ve just uploaded some computer edited videos to YouTube

As well as showing the software in action, this series of videos show the results from the software. Each “edit” is based on a set of story keywords (logged with the clips) and a duration. Lower Thirds are automatic; story arc is automatic; b-roll is automatic; audio from b-roll is faded in and out and dropped in volume. All automatically and in seconds.

The project is about a young triple threat – singer, dancer, actor – Tim Draxl, discovered in Sydney when he was just short of his 18th birthday.

He played Rolf in a professional touring production in Australia in 2000 and his career has blossomed from there, and the three CD deal he has with Sony Universal: the first when he was 18!

Remember, these edits were done in seconds, from selects using Assisted Editing’s First Cuts software. And yes, this is my baby (along with Dr Greg Clarke).

The Sound of Music Edit

Without limits – about 13 minutes of material.

Four minute limit set. Edit is tighter and only the best material makes it to the edit.

 

Growing Up

Tim grew up partly in Australia and partly in Austria as his father worked as a ski instructor. This is the unlimited version of the “Growing Up” edit.

[Update: I forgot the 10 minute limit so one of the movies was too long and YouTube can’t distinguish between a 6 minute cut and a 4 minute cut, thinking they’re the same. Fortunately the videos are also available on our site. The Growing up unlimited  and six minute versions are available at http://assistedediting.com/FirstCuts/results.html]

And finally with a 4 minute limit.

Categories
Distribution Item of Interest The Business of Production

Bittorrent only full of leechers?

Bittorrent only full of leeches? http://bit.ly/amlT3X Peer-to-Peer (P2P) users of bittorrent are often thought of as only leeching on honest content creators but this group have organized funding for a seven episode series. Or at least the first episode.

Interesting turn: financed, released and distributed via P2P networks.

VODO’s newest release is titled Pioneer One, a brand new 7-part TV-series that raised enough funds to film the first episode through donations from TorrentFreak readersand other supporters. Unlike traditional television, the sci-fi-ish series will debut on the Internet, on BitTorrent.

Pioneer One is an ambitious project from Josh Bernhard and Bracey Smith who have collaborated before on ‘The Lionshare’, a BitTorrent-exclusive film which was released on VODO earlier this year. With support from even more big names than before, Bernhard, who wrote the script for the TV-series, hopes that today’s release will set a new record.

Categories
Apple Pro Apps Item of Interest

Some cool tools for Final Cut Pro from Edit Mule

Auto-Collapse for FCP http://bit.ly/dtJQ1h Tidy up those timelines by collapsing redundant layers, removing unused parts of clips, etc. Looks powerful and useful.

We often create or are presented with messy, confusing timelines… This is the perfect way to simplify unwieldy timelines… It’s ideal for efficient use of drive space before media managing and re-conforming; and also for consolidating sequences to one track for exporting old style CMX EDL’s.

Filter Removal for FCP. Unlike Final Cut Pro’s Filter Removal tool, this one allows selective removal.

So often we find ourselves with sequences with tons of filters of all varieties. For example, say you have a whole sequence that’s been de-interlaced, colour corrected, with some maybe blur and film effect filters peppered around too, and you want to remove just the interlace filter… its impossible without deleting all the others. The workaround for this little problem is as tedious as it gets, you’ve got to pick through each and every clip and manually delete each of those pesky de-interlace filters… Now with EM Filter Remover you simply select the sequence whose filters you want to edit, and it does it all for you!

And one more that I didn’t tweet about is Auto Scratch. Automatically set the Scratch Disk to follow the project. Yah!

Particularly useful for machines and facilities with many operators and projects… EM Auto Scratch remembers where each projects render files and media destinations are meant to be, even when you hop between projects. No more excuses for colleagues who’ve accidentally deleted all the media for the project you’ve been working on for months!

Until today I wasn’t even aware of Edit Mule – out of the UK and creating some nice tools.

Categories
Item of Interest

Google’s Cloud Editing for YouTube

Editing “in the cloud” (i.e. with media and power remotely on the Internet) is hotting up. Google has just released a new tool for YouTube http://bit.ly/cahd27 while Avid have been previewing their cloud-based editing application. http://bit.ly/bnNPUQ

Still, uploading media seems to be the sticking point for any serious amount of editing.

Categories
Item of Interest

Journalism monopoly was also a market failure.

Journalism monopoly was also a market failure http://bit.ly/cAaY3t

From the article, which says it all:

For everyone but the monopolists and oligopolists, the market was grossly inefficient and nearly impossible to change.

Impossible, that is, until the barriers to entry dropped. In print, desktop publishing was the first crack in the dam, but it didn’t fully open the market. That only happened when the Internet came along — when eBay and Craigslist and Monster and Google and a host of other nimble companies created Internet advertising alternatives that monopolists couldn’t begin to match; and when a zillion content-based start-ups started finding better ways to tell people the things they needed or wanted to know.

The FTC is the principal federal government agency charged with promoting competition in American commerce. I don’t recall that it paid much attention to the inefficient, uncompetitive markets we had during the dominant days of newspaper monopolies and cozy, government-protected broadcasting.

So why, when the market finally opens up to competition at a variety of levels, is it suddenly time to fret so urgently about a market failure in journalism?

Categories
3D Item of Interest

Consumers Put 3D TV to the Test

I’m somewhat of a 3D skeptic, particularly when it comes to 3D Television in the home.  I’m fairly comfortable with the cinema experience (although the darker images, awareness of the glasses framing the screen and directors throwing things at me all the time are negatives in my opinion), but I just don’t see how the 3D experience will work with the way we view Television.

In the current issue of DV Magazine, editor David Williams asks why anyone wouldn’t want 3D in the home. My response is that, with glasses, it fundamentally does not fit with the way we watch TV. We don’t just watch TV silently. If I wanted that I’d watch on my laptop, and work on email or Twitter or curating my photo library or something else.

In both cases, glasses would get in the way. It can take us 3 hours to watch a 1 hour (44 min) TV show because we’ll stop and discuss something that the show triggered or we remembered. Glass off, back to TV, glasses on. Or Greg will be cooking while watching TV. Again glasses are incompatible.
The same limitations do not apply to color, stereo sound or HD.
It basically comes down to: TV watching is not a monotasking activity. It’s not sufficiently compelling to do that, so we multi-task with conversations, or while working on another screen.
And I see 3D being incredibly difficult in that situation, even without glasses.
OTOH, I see it working for those who are dedicated sports folk who don’t interact much with other people while watching sports (there goes the Superbowl party).
3D gaming, definitely killer. 3D cinema, bound to be good when done well, but 3D TV in the home. I remain skeptical.
Similarly the folk who viewed 3D for the Technologizer article seems interested but not enough to want to spend money:

Glasses, in fact, were the biggest obstacle. “You’re going to ask friends and family to spend $150-$200 on a pair of glasses?” Tom asked. The cost would be prohibitive if he wanted to invite friends over for a football game or a movie. The group was simply incredulous when I explained that glasses from one manufacturer wouldn’t work with TVs from another. Third-party universal models are coming out, however; and Samsung has vaguely promised future interoperable models.

Reactions were the same at the World Cup screening. While I was watching, a family came up to look at the TV. I offered the boy, about 4, my pair of glasses. He tried them for about a second, then pulled them off. His dad, probably in his 40s, was about as enthusiastic. “I like the TV, but will probably never buy the glasses,” he said, adding, “Only one percent of the programming is in 3D. And then you gotta buy the $500 player.” (Samsung’s BD-C6900 actually lists for $400.)

My new German friends felt the same. “We would pay a little more,” said Astrid, “because we’re technology freaks.” But she felt the premium was too much today. “We just bought our first flat screen in the fall,” she added,” saying it would be a while before they got another TV.

Tom, from the first group, may have summed up everyone’s opinion when he said “I could see buying this in maybe five years, when there’s more content and cheaper glasses”

 

Categories
Item of Interest

I uploaded some Assisted Editing Videos to YouTube

Two more videos in our Assisted Editing channel on YouTube.

A demo of Assisted Editing’s Finisher Software http://youtu.be/YzQAoaRICqA?a and

A demo of First Cuts – Fast automated First Cuts for Docume… http://youtu.be/Gz0LM5Rpheg?a

If you haven’t seen these in action (and work with any type of documentary or trade-show type video) then you should definitely check them out. I’ll be uploading some of the actual edits from First Cuts shortly.