Last week I was a the official Storm launch at RED Studios. While Storm – the RED Digital Cinema Camera Production Hub – is undoubtedly going to be the “go to” app for anyone working with RED footage, it wasn’t what set my mind thinking about lighting.
Before I get to that though, I was very impressed with Storm in every way (without having actually used it myself). Well thought out and priced appropriately, if you have to work with RED, you will end up buying Storm.
What set me thinking was the demonstration of RED Epic where the incredible low light performance and high dynamic range combined to kind of answer a question I’ve have had in my mind for a while.